I am currently making a comic book. It has been in the works for months now, but I am finally at a point where I have something I can share with everyone. It is not completely done yet, but the storyline is and that is the first part of my comic book how to series. My idea to make a comic book came from an event that happened last year. I was putting food in my worm bin (Literally, a bin full of worms that you put food into. They eat the food and turn it into castings which is extremely rich fertilizer.) when I noticed a strange shaped worm wiggling around. I picked it up with my shovel and saw that it was one worm with four ends all attached in one spot. I examined it a little longer, took a picture of it, and put it back in the bin. I told everyone about my worm and most people gave me a strange, grossed out look when I described it, but a few people offered suggestions as to how it mutated. Some of these theories were pretty funny, and I wrote them down along with a little sketch. That is how the idea to create a comic book about a mutated worm began.
When I was a kid, I liked to the read the comics in the Sunday paper, but I didn’t like comic books. The graphic superhero books were too violent and the wholesome Archie books were too boring. It wasn’t until I was in a small library in Utah that I found a comic book I liked. It wasn’t the typical type of comic book. It had a hard cover, was over thirty pages and was full of collages and pen and ink drawings. The book was titled “100 Demons” and I loved it. It was interesting and beautiful. Ever since then I have had a completely different idea of what it means to illustrate a story using frames. This book has been a source of inspiration for me as I write my comic book and decide on the illustration style I want to use. As you start your book, I suggest looking at other comics, children’s books, and illustrations. It is good to have an idea of the type of style you want your book to have. Is it graphic, cartoonish, artful, or none of the above? Next, is the story writing.
First, you need a general idea or theme for your comic. Mine is about a mutated worm. He is the underdog that has not come to terms with all of his limbs and how they can be of use to him. The overall theme is of determination, discovery, and has a lot of educational tips as well.
Next, you need a plot. This is a depiction of the drama and it’s resolution. Adding twists and turns always makes for a more interesting story and, of course, a surprise ending is always fun. With the plot you must establish the setting (where and when it takes place) and the characters in the story, especially the protagonist and antagonist. My story is going to take place in a worm bin, in a basement in a house in Philadelphia. It is summer. The protagonist is the mutated worm, the antagonist is the unknown. The story begins with the mutated worm not fitting into his environment. He meets a friend along the way that helps him out. Just when things are looking up, a horrible thing happens in the bin and the mutated worm decides to take action. Worms are very soft-bodied, calm, slow moving organisms who do not cause problems or make a fuss. All but one special worm.
Now that your story has a life and some characters, you should develop the main characters more. For this exercise I am writing what was given to me by my mother, an English teacher. She gives this to her students when they do creative writing projects. I am putting all of this in here because I think this is the most important part. The character development will shape the way the story will evolve, how they will interact with the other characters, and even the illustration style.
Writing a character sketch.
Elements: what does the character look like, what does the character say, what do they do, what do they think or feel, what do others say about the character, what traits make the character a hero/heroine?
Here are some examples of traits: shy, courageous, aloof, confident, withdrawn, brave, caring, angry, selfish, prankster, fashionable, sincere, sly, stubborn, smart, devious, crafty, aggressive.
Name at least two important character traits and at least three examples to support these traits.
Example: Mutated Worm is smart, brave, and withdrawn. He can figure his way out of the worm bin and outwit a fruit fly. He will help the rest of the worms in the bin instead of waiting for another to do it. He will do it alone if he has to. He has a lot of food allergies and does not look like the other worms. He can’t seem to do anything right or keep a job. He is smart but maybe too smart. He asks questions you are not supposed to ask and wants to know the answers. His other limbs are his cohorts. One limb is shy and does not want to get into trouble or attract attention. The other limb is always curious, has a knack for saying the wrong thing, and is the instigator. He is also the smallest limb.
Once a character sketch is done for at least the protagonist and their companion or the antagonist, then get started on writing the story. I started my story with an introduction since this is my first comic in a possible series. It begins with a look at the universe and comes all the way down to a single worm. This was done to show how the size of one’s body is not as important as the size of your heart and intelligence. Then, I separated my story into segments so that I knew how many pages my story would be and how to set up the frames when I start to sketch the book out. For instance, the first page is my introduction and the setting. The second page starts with the main character’s current situation and how he is dealing with it. The next pages will go into why the worm can’t keep a job or fit in, and then what happens in the bin that makes the worm the hero. Don’t forget that if you plan on making your comic an actual printed book, you will probably be stapling the pages together in the center. That means you will take a few large sheets of paper and fold it down the middle, line them all up, and put a staple through them in the center (over the fold). This is the type of binding comic books use and is the cheapest. However, this also means that the number of pages in your book has to be a multiple of four. This is because each she of paper is folded in half and creates two spreads. Some solutions to this problem is to use the inside front cover as the first page of your story or as a writer’s note (depending on whether you are trying to save space or need extra space) and to do something similar for the inside back cover. Another suggestion is to start the introduction to the comic on the cover. The best thing to do is avoid it while you are still in the writing phase of the book and plan accordingly.
Start writing your story and developing your characters. The next post will be about sketching the frames, different layouts for your page, illustration styles, camera angles, illustration supplies and printing the book.
I do not know where or when the act of note giving originated, but it is a part of our American culture. People give cards with presents, to celebrate holidays, as a thank you and so on. I never understood why my mother sent a Christmas card in the mail to all our family members when she knew we would be seeing them (and giving another card to them) on Christmas Day. Often times it is expected to give a card, and sometimes even considered rude not to. I feel this is the reason why the act of card giving has lost it’s sentimental value. It is now one more chore you have to do. This not only takes the fun out of giving cards, but also out of receiving them. Who really wants a card from the dollar store with your cousin’s name scribbled at the bottom? Unless your cousin is famous, and his signature is worth something, not many. This is what led me to making my own greeting cards. I put the fun back into card giving as well as the sentimental value. Well, that and the fact that I didn’t want to spend $50 on greeting cards one holiday season.
The idea for collage greeting cards came from one I saw made for a friend of mine. I liked the idea of taking an old card, say one of the money cards you received from a relative that just has their name scribbled at the bottom, cutting pieces from it, and making it into something a little more memorable for someone you care about. To make one of these cards you will need: glue stick or rubber cement, magazines, old greeting cards, postcards, construction paper, or any other type of paper that you are ok with cutting up, and scissors. As a quick warning, be careful with the type of glue you use. White glue will also work, but depending on how thick the paper is, it may make the card bubble and curl up when dry.
First, you want to take either construction paper or some type of heavy cardstock for the base of the card. Fold the paper over and trim it to the size you would like the card to be. Also, remember that cards can be horizontal and open at the top or vertical and open on the side. Next, start looking for images that have patterns and colors you think the person receiving the card would like. I like to crop images so that you cannot tell exactly what you are looking at or rotating an image so that a photo of a sky is upside down or sideways. Although you can find some beautiful photographs in magazines such as Smithsonian, the cards are more about your creative input, not the photography. Sometimes I cut out phrases and key words that I like and form my own messages that don’t make a lot of sense, but are fun to read. Other times, I just spell out the person’s name in different letters and put a few words I like scattered around the card. The personality of the person I am making the card for always affects what colors and patterns I use.
That’s about it. Now you have a card. I hold on to old greeting cards and use the inside text for specific things I want to say such as “Happy birthday.” Sometimes I leave a blank space so I can write whatever I want. It’s up to you as to how you want to convey your message.
The best part of the process, is giving someone one of your cards and watching them enjoy looking at it. This is a project that is hard to mess up. All you need are a few colorful pictures, some wacky phrases when taken out of context (in one card I used “be well” from a tea package) and you have a thoughtful present for anyone.
These are the materials you will need: white or craft glue, egg shells (preferably in big pieces like after you crack one open not from peeling them), some kind of surface to make your mosaic on, spray paint or acrylic paint in at least two different shades, and a fixative.
Next, decide on a color scheme or image for your mosaic. I am more of a fly by the seat of my pants kind of designer, so I went with an abstract image that slowly started to form as I began gluing down the egg shells. I am a strong believer in not over thinking your design and letting it take form as you go. However, there are some amazing mosaics out there that were carefully constructed and well thought out. You be the judge of what type of design you want. You can do some research and look up some mosaics, but I suggest looking at only a few and not trying to copy anything. If you have too detailed of an image in your head, chances are, it’s not going to look exactly as you envisioned, and you will just end up getting frustrated. If you still do not know what you want to do for a design, look at some art nouveau designs, fabric patterns, or designs from art periods that you love.
Now that your first egg shell mosaic is complete, try experimenting with the size of the shell pieces and the intricacy of the design. After making this table, I hand painted shells in a variety of colors and shades. I used these pieces to make a mosaic of a Van Gogh painting. It was done on cardboard, I drew a grid on the board to help me map it out, it took forever to do, and it’s still not finished, but it was a fun learning experience. You can also cut out some of the steps from the process and use the natural color of the eggs. When I buy eggs from local farmers at the market, the egg shells are usually a variety of shades of off white and brown. This would make a nice neutral colored piece and natural colors always have a beauty to them that you can never recreate.
This blog stemmed from a conversation I had with my grandmother, otherwise known as Baba. Baba told me that she liked to look in the store windows and see all the fancy designer clothes, furniture, and fabrics for sale. She never bought these things. They were too expensive for her, and she didn’t want them. Baba would look at the dress on the manequin and think to herself, “That dress is nice, but I don’t like this part.” When she got home, the fabrics would come out and she would get to work on making herself a dress like the one she saw in the window but the yellow lace would be replaced with another type of fabric and of course it would have pockets, you should always have some kind of pocket she says.

